Article January 8, 1927 ISSUE

The True Chord

HILDA MARY STEPHENSON

IN studying harmony and the way in which musical compositions are built up, the student is struck by the innumerable possibilities of achievement which follow an understanding of the three notes of the common chord and its harmonies.

In endeavoring to find freedom of expression in any direction with that chord, should one fall into discord, there is always immediate security and a fresh start possible from a return to that fixed basis — the common chord. What pure enjoyment is gained from the use of those harmonies, not only by the one putting them into practice, but by all who may be fortunate enough to be within hearing of them!

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January 8, 1927
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