Music for a troubled world

"A perfect echo" is what Christian Science Monitor Middle East correspondent Nicole Gaouette hears in the hearts of Israelis and Palestinians. In her conversations with ordinary people on both sides of this saddening punch-counterpunch conflict, Gaouette detects a perfect echo in the hopes they hold in common — for their children, for secure homelands, and for prosperity. When it comes down to the heart's desire for harmony, we all sing the same songs.

In the Israeli-Palestinian situation, as in every conflict, the splitting of people into warring sides goes deeper than a history of bad blood between tribes. Deeper than ethnic and religious differences. Perhaps at the bottom of it all is a temporary denial of humanity's connecting chord — a loss of harmony, or music, in its deepest spiritual dimensions. In an article on humanity's musical roots, Dartmouth College neuroscientist Petr Janata says he belives that "if you completely remove music from human cultures around the world, it would definitely have a devastating im pact on society" (Ronald Kotulak, "Human hearts have always warmed to the rhythm of music," Chicago Tribune, September 21, 2003).

The reason we sing the same songs in our hearts is because we all have the same Composer and Arranger.

It also should hold that if human cultures were more infused with the principles of music — collaboration in performance, harmony out of blended differences, animation through sympathetic rhythms— the impact on society would be immensely beneficial. Chords, melodies, rhythms, (and sometimes words) act like global cords, unifying people across all that would divide.

Researchers are discovering that music may be more intrinsic to human nature than language. Music, however, is not a matter of genetic inheritance, and our inborn response to music points to a higher source, a divine Principle.

Mary Baker Eddy defined God as "the divine Principle of harmony," which is ever with the human family, and "they are His people" (Science and Health with Key to the Scriptures, p. 573). Her theology didn't come out of a sheltered life. She knew and wrote about the awful toll of human conflicts, from the US Civil War to the mid1890s Armenian massacres and the 1904-5 war between Russia and Japan. She also knew from personal experience the toll of discord in marriage and other human relationships. But to come to know God as the divine Principle of harmony, and oneself and others as spiritual beings, was, to her, the path of healing and harmony. It was a path that Jesus had mapped. He, after all, provided the original road map to peace: to put God first in the affections, and to love others as we love ourselves.

Jesus wasn't offering the world just pleasant aphorisms about God and peaceful relations. Love of God and love of neighbor were, and are, the fundamental laws of human harmony. The reason we sing the same songs in our hearts is because we all have the same Composer and Arranger. The Principle of harmony has authored us to live in harmony.

Health — in society or in the body — involves rediscovering God as the divine Mind who composes us as whole ideas, in agreement with our Maker and one another.

You don't have to have training in music to love harmony. But as anyone who's played or sung in a group knows, the better you understand the Principles of music, the better the music. There may be no quick fixes for long-running discords such as the Israeli-Palestinian conflict. But as with music education, harmony-making begins at home, one resolved chord at a time.

Peace is participatory. By adding our tones to those perfect echoes coming from Jerusalem and Gaza, we may some day hear what the Psalmist promised: a new song. A song of peace.

This is the end of the issue. Ready to explore further?
November 3, 2003
Contents

We'd love to hear from you!

Easily submit your testimonies, articles, and poems online.

Submit