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Spiritual perspective on music
What's sacred about JAZZ?
The first time I heard modern jazz I loved it. I'd gone to a high school that was heavily into the arts. I finished the bulk of my academic work in my junior year, so in my senior year, I focused on music.
The classes were wonderful: music theory, music composition, music history, music appreciation, band, orchestra, dance band, a jazz group.
One dreary winter afternoon, I walked into a music appreciation class. There was a 33 1/3 record on the stereo (these were the days before Walkmans and CDs), and I heard the most intriguing music I'd ever heard. A piano played the "coolest" chords. An alto sax interchange with piano was haunting. That record was Jazz Goes to College. The pianist was Dave Brubeck. Paul Desmond played alto sax. Jazz Goes to College turned out to be a classic among jazz buffs.
Enjoy 1 free Sentinel article or audio program each month, including content from 1898 to today.
May 6, 2002 issue
View Issue-
Art for your sake
Warren Bolon
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YOUR LETTERS
with contributions from Judith Quimby, Susie Ledbetter, Nancy Ferguson, Laurel Marquart, Nancy Bachmann
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Items of interest
with contributions from Ted Parks, Wendy Sa Joe, Tom McAnally
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'My voice belongs to God'
by Kim Shippey
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'Where does my light shine brightest?'
with contributions from Dave Pelton, K.S.
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'Father, You sing!'
K.S. with contributions from Laura Mann
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What's sacred about JAZZ?
By Bill Dawley
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Painting—'a process and a progress'
By Sentinel staff
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I never gave up
By Linda Jo Beckers
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Strep throat healed, along with painful regret
Marilyn Jones
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Smoke-free
Thereza M. L. Giannattasio
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They parted friends
Philippa Muldoon
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I'd like you to meet Bezalel
Richard Bergenheim