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Relying on ageless capabilities in a chamber music performance

From the August 14, 2017 issue of the Christian Science Sentinel

I was invited to perform, with three other professional musicians, a challenging 20th-century chamber music work—“Quartet for the End of Time” by Olivier Messiaen—which I had performed on several occasions over the span of a career. The invitation came two years after I retired from full-time work as a musician and teacher.

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